A couple of months
ago I was having dinner with a friend at one of my favorite restaurants. There
was a family group at the next table celebrating one of their kid’s birthdays.
The waiters and waitresses gathered around with a Birthday Cake and sang –
well, I don’t know what it was, but it was certainly not “Happy Birthday”. A little while later I asked our waiter, who
had been one of the signers, why they had not sung the traditional “Happy Birthday Song”.
He told me they
were no longer allowed to sing it because it was copyright protected and the
restaurant would have to pay a royalty on it each time they used it. I kid you not.
One
of the most recognized songs in the English language, a simple tune consisting
of four lines that’s been sung countless times to children and adults,
including President Kennedy in a historically sultry rendition. And now they cannot
sing it to you or yours without paying someone a royalty! Unbelievable.
Despair not;
however, apparently there is hope. “Happy Birthday to You” is now the subject
of a new lawsuit against the publishing arm of Warner Music Group, which claims
copyright ownership in the song.
A complaint filed
in federal court claims that “Happy Birthday to You” has been in the public
domain since at least 1921. The suit seeks class action status on behalf of
anyone who paid a royalty to use “Happy Birthday to You” in the past four
years.
The song allegedly
generates at least $2 million a year in licensing fees for Warner/Chappell
Music, Inc., which claims to own the exclusive copyright to the tune through a
company it acquired, Summy-Birchard.
The plaintiff is a
producer who is directing a documentary about the song and had to pay a $1,500
licensing fee to use it in the film. The plaintiff’s company is called Good
Morning to You Productions.
According to the
research, the melody of “Happy Birthday to You” was adopted from another song,
“Good Morning to All,” composed by Mildred Jane Hill in the late 19th century.
(It’s not clear if the melody was original or if she borrowed it from other
songs.) Her sister, Patty, wrote the words, and asked Mildred to write a melody
“to express those words and emotions and ideas fitted to the limited musical
ability of a young child”.
By the early 1900s,
“Happy Birthday to You” began appearing in a variety of songbooks as
alternative text for the “Good Morning to All” melody. Before then, the nation
lacked a standard birthday song (how did they survive, I wonder?).
Summy-Birchard can
only claim ownership if it can trace its title back to the author or authors of
the song. Yet it appears that the only possible authors to whom it can trace
title are Mildred and Patty Hill themselves, and there is scant evidence that
either of them wrote the song.
On the good side,
not long after witnessing the waiters and waitresses attempt the (bad)
imitation of the “Happy Birthday Song”, I was walking my dog when I happened
upon another family group celebrating a birthday on the patio of a different
restaurant. The group, including the staff, was very cheerfully and very loudly
singing the song to a very happy little toddler.
I smiled and joined
the chorus – happy for the opportunity to metaphorically render half a peace
sign to “the establishment”.
Live Long and Prosper...
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